The result is that the compressor reacts only to specific frequency components when they reach a specific threshold, and applies compression only to these specific frequency components, leaving the rest of the spectrum untouched. In its default mode of operation, the Oxford SuprEsser DS feeds the defined 'Band' signal to the compressor to affect only this narrow band signal. Pressing the 'More' button gives access to ALL the controls. It can also be switched off for a fixed threshold. This Auto Level Tracking mode lets the SuprEsser do all the hard work. This is perfect for vocals where, for example, a vocalist is louder in the chorus than the verse, but you want to apply the same relative amount of de-essing, and not over de-ess in the chorus. The plug-in then automatically tracks the general signal level and the threshold follows accordingly so that it gives the same relative amount of gain reduction as the signal level rises or falls. Three listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside').Ĭareful thought has been put into making the Oxford SuprEsser DS extremely easy and quick to use. Once the frequency band has been defined, simply lower the threshold fader until the gain reduction meter starts to kick in. Around this is built a pair of cross-over filters, modelled on the Oxford EQ, to make the compressor react only to the defined frequency band.
The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy.Īt the heart of the Oxford SuprEsser DS is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone!ĭetailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The Oxford SuprEsser DS is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. Large intuitive graphic display makes finding frequencies very easyĪdvanced Mode for ultimate control of the Dynamic EQ Transparently controls aggressive frequenciesĪutomatic Level Tracking follows energy levels (no need to automate threshold) The combination of an intuitive FFT display and three listen modes enables the user to easily see and hear exactly where the problem frequencies are, allowing the rapid reduction or removal of the offending audio.Īdditional features include Automatic Level Tracking, Linear Phase Filtering and a Wet/Dry blend control for final balancing. There is a simple mode for quick fixes, but also an advanced mode for increased functionality and fine-tuning.
With its low latency of sub 2ms, SuprEsser DS is perfect for live applications or live tracking in Pro Tools. The Oxford SuprEsser DS is a highly-featured professional De-Esser AAX DSP plug-in for use with Avid S3L live consoles and Pro Tools|HDX.